The second movement is a slow and lyrical movement. Near the end of the first movement, the soloist will play a “cadenza” or an extended solo passage without the orchestra. The soloist will play two contrasting themes, a feature of a standard Sonata form. It will either start with an orchestral introduction or let the soloist show off right away. The first movement is usually the longest and most involved. Allegro is a common word for fast, while adagio is a common word for slow. They will probably be listed in a program as I. The typical concerto is in three movements, or sections: a fast movement in Sonata form, a slow and lyrical movement, and then another fast movement. ![]() Either way, these definitions can both apply since the soloist is both working with the orchestra and in competition with it. Historians argue whether it comes from the Italian origin of words like”concord” and “consensus,” meaning to work together, or the Latin origin of “contest” and “contrast,” meaning to work in opposition. They may be a traveling professional, a member of the orchestra, or a “young artist” or competition winner. ![]() The soloist is often a highlight of the evening. It is usually the second piece on a program, just before the intermission. Most orchestra concerts will feature a concerto of some kind. ![]() There are also many concertos for cello, trumpet, horn, flute, clarinet, percussion, and even tuba. Violin Concertos (such as the Beethoven Violin Concerto in D Major) and Piano Concertos (such as the Piano Concerto in A Minor by Clara Schumann) are the most common types.
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